Description
From School Library Journal
Grade 1-4–OKeeffes visual voice was unique and bold for a woman born in 1887. Rodríguez gently tells this inspirational artists story, not with hard facts on a rigid time line, but with quiet simplicity. The book begins with her childhood in Wisconsin and art school, then moves on to the canyons of the city and finally out to the expanses of Ghost Ranch in New Mexico. The influence of place on OKeeffe is evident in the brief text. Using short, strong sentences and phrases, the author emphasizes the artists creative force. Paschkis extends the words with the visual simplicity of colorful, cut-paper collages. These beautiful works capture the artists style and the essence of specific works. Readers will feel the openness of Wisconsins rolling prairie as well as the confines of art-school rooms and city canyons. The bold shapes of flowers, skulls, and mountains successfully bring the renowned artists influence into this picture book. The clarity of text and illustrations gives it potential for group enjoyment and individual inspiration. A closing page offers several additional paragraphs on the womans life.–Carolyn Janssen, Public Library of Cincinnati and Hamilton County, OH
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Product Description
A gorgeous, evocative biography of one of America's most beloved artists.
Georgia O'Keeffe saw the world differently from most people. As a child she roamed the prairie with a sketch pad in her hand, struggling to capture on paper what she saw all around her. At art school she learned to speak in paint on canvas.
But Georgia felt confined by city life. She longed for vast expanses of space, and she found it in the red hills and silent deserts of New Mexico.
Lyrical and vivid, this is a portrait of an exceptional artist, a woman whose eyes were open to the wideness and wonder of the world.
Through Georgia's Eyes is a 2007 Bank Street - Best Children's Book of the Year.
From Booklist
*Starred Review* K-Gr. 3. Creating a picture-book biography of Georgia O'Keeffe is a daunting project. Beyond the challenge of interpreting O'Keeffe's artwork, Jeanette Winter's My Name Is Georgia (1998), which used a first-person narrative representing the artist's voice, set a high standard for both art and text. Addressing the same audience, Rodriguez finds her own distinctive way, telling O'Keeffe's story in third person but with great immediacy, using present tense and sentences that are short, direct, and poetic. After describing O'Keeffe's childhood, her goal of becoming an artist, her move from the city to New Mexico, and her bond with the land there, the author invites readers to let the artist "show you the world as she sees it." The final page expands on the story to give a more standard, detailed account of the artist's life. Paschkis creates vivid illustrations by using painted and cut papers to form collages representing the artist, her world, and her work. These illustrations vary in palette and composition as the setting changes from the Wisconsin countryside to the New York cityscape to the hills and deserts of the Southwest. O'Keefe grows up and grows old, but her satisfaction in expressing herself through her art is constant. Written and illustrated with directness and sensitivity, this is a fresh, original portrait of the artist. Carolyn Phelan
Copyright © American Library Association. All rights reserved
Review
“Breathtaking.” ―Kirkus Reviews, starred review
“Written and illustrated with directness and sensitivity, this is a fresh, original portrait of the artist.” ―Booklist, starred review
About the Author
Rachel Rodríguez has published in the Los Angeles Times and aired essays on northern California public radio. She lives in San Francisco. She is the author of Through Georgia’s Eyes and Building on Nature.
JULIE PASCHKIS won a Boston Globe-Horn Book Honor for Yellow Elephant. She is also the illustrator