Description
Product Description
A dramatic black- and- white presentation of the alphabet in which the three-time Caldecott medalist depicts a mysterious transformation of each letter.
From Publishers Weekly
Van Allsburg's latest is not an alphabet book but an "alphabet theatre": as its title page proclaims, it is "a play in twenty-six acts, performed by the Caslon Players, written and directed by Mr. Chris Van Allsburg." In it, each letter of the alphabet is shown on a draped curtained stage, undergoing some sort of (usually ominous) transformation. Turning the page reveals the text that spells out the alphabetical event: the A was in an avalanche; the B was badly bitter; the C was cut to ribbons; and so on. This is an original and unusual undertaking, executed with both visual and verbal adroitness. In technique it most resembles Van Allsburg's The Mysteries of Harris Burdick; in both books, black pencil is used with remarkable skill to create the richness of texture and shading usually associated with full color. It is perhaps closest to Harris Burdick in ambition as well, in the sense that an imaginative challenge is presented to the reader (here, to come up with a verbal account of the pictured transformation before turning the page to find it). But the imaginative possibilities of the "alphabet theatre" are limited; this alphabet book format is more of an intriguing design element than a way to teach the ABCs. The picture and text that belong to a single letter are not on facing pages. While Van Allsburg's visual ingenuity is in full evidence (among his hauntingly realistic images are the evaporating E and the jittery J), there is both a sinister quality and an stagey dimension to the work. Artistically, a virtuoso performance, but one with an undeniably cold cast. All ages.
Copyright 1987 Reed Business Information, Inc.
From School Library Journal
Grade 1 Up Returning to the black-and-white medium of conte pencil, Van Allsburg now presents an alphabetical morality play in 26 acts. Each sculptured letter is the subject in an action-packed tableau enacted on a sedately curtained stage. Here is a preview of coming attractions``A was in an Avalanche, B was Badly Bitten, C was Cut to ribbons.'' Children can try to guess what action has occured, thereby increasing their vocabulary and the fun, or they can turn the page and read the text, or better yetdo both. This clever romp resembles old vaudeville theater, with one curious act following the next. The ``Y'' is even yanked offstage by a crook. However, the art reminds one of a still frame from a black-and-white film. In the frame titled ``S was Simply Soaked'' the water hangs in mid-air above the ``S'' as if the projector were shut off in mid-action. There is also a surrealistic quality inherent in the illlustrations. While the younger crowd may be able to guess some of the verbs that Van Allsburg illustrates, this is more an alphabet book for older children, who will enjoy guessing what heinous act is being foisted upon these noble letters. Karen K. Radtke, Milwaukee Public Library
Copyright 1987 Reed Business Information, Inc.
Review
"The most succinctly nutty alphabet book in the history of mankind." The New York Times
"Whimsical, sophisticated, this should appeal to a wide audience, from those amused by mayhem in an unusual context to the many fans of this uniquely creative artist." Kirkus Reviews with Pointers
About the Author
Chris Van Allsburg is the winner of two Caldecott Medals, for Jumanji and The Polar Express, as well as the recipient of a Caldecott Honor Book for The Garden of Abdul Gasazi. The author and illustrator of numerous picture books for children, he has also been awarded the Regina Medal for lifetime achievement in children’s literature. In 1982, Jumanji was nominated for a National Book Award and in 1996, it was made into a popular feature film. Chris Van Allsburg is a former instructor at the Rhode Island School of Design. Visit him at c